12at7 In Blues Jr

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Fender unveiled its Tweed series amps to great success and acclaim in 1993. The concept: What if a great old, collectable, 1950’s Deluxe or Bassman was customized with channel switching and reverb?Behold the Reissue Blues Deluxe, a vintage-style tube amp with boutique tone at a great price that many a pro rock, count

Fender Blues Deluxe Reissue, Tube Guitar Combo, 40 Watts, 1x 12" custom designed Eminence 8 Ohms speaker, 2 channels, reverb, effect loop, includes footswitch.

Consider our list of the top ten best gigging guitar amps under $1,000 for your next tour. Along with its stablemate the Blues Jr., this is one of the most ubiquitous stage amps ever created, price.

Jun 10, 2006  · So I tried one of my NOS Mullard 12AT7’s (60% gain) mixed with a 12AY7 (45% gain), I tried the 12AT7 in both the V1 and V2 slot with the 12AY7. Stevo looks at his Blues Junior and wonders if he can create the same magic with it? Film @ 11 0. Paint & Binding Does Not Equal Tone, Stevo. Comment. Post Cancel. Previous.

Fender Blues Jr schematic: blues_jr.txt [3k] Quick’n’Dirty mods for Blues Jr from Dave Stork: bldvlmod.txt [6k] Mods for Fender Blues DeVille from AMPAGE BBS:. Blue Guitar harnesses: franken1.gif [179k] FrankenStrat wiring harness for 2 humbuckers and 1 single coil pickup: prstrat9.gif [10k]

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Nov 28, 2015  · Hi folks, I was just reading a post by "ch willie" about modding amps (or not), some of which covered speakers in a Blues Deluxe. I have one of these amps and now that I’ve started gigging again, have been thinking of ways to get a louder clean from it. Ive tried changing v1 to 12AT7 and 12AU7, neither of which made a noticeable.

Do different brands of tube sound different? Part I Yes? Well maybe not. Join me on my odyssey on what might be the biggest like-for-like comparison made ever with actual…Read More

Can I change the tone of my Blues Junior with a different set of tubes? In a word, no. At least not to a major degree. But some of my customers disagree–see below. Tubes are not a mod. They’re like the tires on your car–they get you places and they wear out. Different tires may feel a little.

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Keep in mind that if you do decide to replace the 12AX7 tube you should give the pedal some time to break in. All tubes, whether it’s your amp or a pedal, need some time before they reach their potential so don’t freak out if the 12AX7 blows your head off the first time you try it.

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This is a tube amp made by Fender. It’s a similar amp to their Blues Junior, but it is a much bigger and therefore louder amp. It’s part of their newer Hot Rod Series (at least this reissue is). It has two 1/4" inputs, two channels (clean and drive), 40 watts of power, a solid state rectifier.

All tube hand wired outboard Reverb Unit. Based on the Fender 6G16 Reverb unit with improvements to the power section for less hum. Available in Tweed, Blackface, Brownface and Blonde Cosmetics. Boutique perfect reverb!

Open quick view dialog for Fender Special-Edition Blues Junior IV Humboldt Hot Rod 15W 1×12 Tube Guitar Combo Amp Fender Special-Edition Blues Junior IV Humboldt Hot Rod 15W. 4.5 of 5 stars (2 Reviews)

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The EH 12AT7 Preamp valve double triode is used in reverb preamp circuits, and phase splitter applications. The European part number is ECC81. Another equivalent part number is the 6201.

Consider our list of the top ten best gigging guitar amps under $1,000 for your next tour. Along with its stablemate the Blues Jr., this is one of the most ubiquitous stage amps ever created, price.

These thangs are smoke’n(MullardCV4004’s) my ‘lil Fender Blues Jr. is real leg breaker now! None of None of my buddies can belive this is the same 15 watt combo I was jamming with last week!

Check out the latest damaged amp courtesy of the UPS gorillas. This was a wonderful-sounding Premier B-160 Club Bass, an especially good sounding Blues amp for guitar. Original ’65 Jensen C15N is totaled beyond repair, speaker baffle is in many parts.

modification to fender blues junior. The What About Tubes page has more info on general tube substitution. The 12AT7 is a driver tube, not a preamp. Use a 12AY7 instead to preserve frequency response and tone.

Blues amplification starts and ends with Fender amps, thanks to their transparent, dynamic and detailed tonality. So to start off this list is a modest but elegant amplifier, the Fender Hot Rod Blues Junior III.